電影設計|Flow Bar & Lab:商業場景的再電影

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在商業定位中定義,在交互體驗中續航,漿果設計賦予 Flow Bar & Lab非格式化的超越,時光流淌,意境折疊,趣味釋放,你愿意一起加入這場觀影嗎Born?in?commerce,?moving?in?interaction,With?creative?and?superior?design,Various?scenes?and?interests,Do?you?want?to?join?this?journey 誠如瓦爾特·本雅明所說,“這是一個影像的時代,視聽的時代,機械復制的時代,靈光消逝的時代?!盩he?era?is?one?of?image,?audiovisual,?mechanic?mimi 3.2.4 節奏與韻律c?and?less?creativity.——?Walter?Benjamin影像記錄,記憶留駐,體驗長存,而商業空間的生命力無限延展,漿果設計常常從場景導演的視角出發打造商業空間,不止于創意美學和視覺藝術的呈現,讓商業空間更鮮活。解構體塊、突破限制、包裹熱烈、釋放個性,Flow?Bar?&?Lab?成為漿果設計筆下商業邏輯與互動體驗的浸透之作。目之所及處,過往的經驗被覆蓋,認知的邊界被消弭,全新的場景中生長出新鮮趣致。Image?can?keep?the?memory?of?experience,?and?expanding?the?liveness?of?commercial?茶館ce.?Jingle?Design?always?build?the?commercial?茶館ce?from?the?perspective?of?director,?revitalizing?the?茶館ce?by?breaking?the?limitat1、
ion?of?creative?art?and?visual?art.?By?deconstructing?the?茶館ce?beyond?the?limitation,?the?designers?empower?the?茶館ce?with?passion?and?personality,?making?the?bar?a?project?of?ultimate?interactive?experience?while?following?the?commercial?procedures.?Eliminating&n8、
bsp;the?past?design?and?perception?boundaries,?the?designers?create?new?and?innovative?design?in?this?project. 經由唯一的入口,一處有意為之的傾斜墻體,似通往未知世界的巨型“暗門”,極簡線條的藝術形態又仿若開啟時光的“切口”,隔絕與外界的鏈接。Deliberately?sloping?wall?in?the?entrance?seems?like?the?magic?channel?to?future.?Minimalist?lines?shape?the?entrance,?making?it?a?partition?between?inside?and?outside?茶館ce. 入眼處,人的視線第一時間被天花上的巨幅藝術裝置所占據。形狀如圓潤水滴,縱橫有序排列,或疾或緩,自成規律地循環運行著,成為當代藝術的折疊隱喻。Entering?from?the?entrance,?grand?modern?artwork?on?the?ceiling?will?grasp?your?attention.?In?the?shape?of?round?water?drop,?the?artwork?demonstrates?its?beauty?in?vertical?and?horizontal?order,?constituting?a?symbol?of?contemporary?art. 與靜謐溫潤的光影配合,每一滴“水”的律動與轉換,在深沉的場景外表下放映著內與外、動與靜的劇目,讓人以一種意想不到的方式感知著空間流動的節奏,構建截然不同的體驗。With?warm?and?silent?light?shadow,? 圖5-45 現代中式家具材料的綜合應用 Fig.5-45 The materials integrated used in modern Chinese furniturethe?artwork?presents?different?pictures?with?the?passing?of?time.?Therefore,?the?茶館ce?provides?multiple?experiences?in?an?unexpected?way,?allowing?guests?feeling?the?pace?of?art. 相較于常規吧臺的開放式布局,設計師賦予六邊形的吧臺以鉆石般的切割方式,令其以獨特的材質與形制,成為全場的第二視覺中心,最終讓純粹的力量感植入場景的內核。Unlike?open?layout?of?bar?counter,?the?designers?equip?the?hexagonal?bar?counter?with?exquisite?craft?distinctive?materials.?In?this?way,?the?diamond-like?hexagonal?counter?becomes?the?second?punchline?in?the?bar,?infusing?strong?power?into?the?茶館ce. 金屬與木質相結合,幾何與有機構圖交相疊映,構成吧臺的獨特動線,有序而自然地兼納調酒與互動,加深空間的故事性。人靜坐于此,感受空間賦予的停頓、純粹、安逸。The?metal?and?wooden?materials?and?g 通過宋代與“明式”家具的形制比較,不難發現兩者雖有傳承關系但差異還是比較大的??梢哉f,宋代完成了創造高型家具基本類型、產生“古典”的任務,而“明式”是在家具合理化、精細化、美觀化等方面繼續發展完善,達到“古典”的頂峰。這一對比研究,可以得到以下幾點結論:eometric?images?shape?the?unique?form?in?the?bar,?enabling?guests?interact?and?drink?in?a?comfortable?way.?Therefore,?guests?can?feel?the?purity,?calm?and?happiness?of?this?茶館ce?from?the?distinctive?design. 在狹長的建筑中,空間內座椅的組合排列形式摒棄了常規化的序列。設計師通過質地飽滿而潤澤的流線型木質桌面,與地面暗藏的水波線條、頂面裝置互動,三者明暗不一、動靜各異的變化,繪制出具象化的空間情緒。Instead?of?ordinary?layout,?the?tables?a2、
nd?chairs?undertake?multiple?sense?through?pure?and?clear?wooden?materials.?Water?ripples?on?the?floor?constitute?the?contrast?with?the?artwork?on?the?ceiling,?balancing?the?harsh?and?soft?elements?in?the?茶館ce. 緘默而細膩、深邃而流動的工業墨色,延展至空間內部的每一處,令神秘氣息和未知感暗涌浮動。而看似阻遏外部的空間,因臨街墻面上的一線窄窗,將兩個世界重新聯結,建立新的互動關系。The?茶館ce?is?blocked?in?dark?and?calm?black,?full?of?mystery?and?futuristic?vibe.?One?thing?that?this?project?does?well?is?it?blends?inside?and?outside?atmosphere?by?the?window,?so?that?when?you?are?inside,?you?feel?outside,?when?you’re?outside,?you?feel?the?presence?of?the?inside. 天花和墻體界面上嵌入了暗隱的光源,大面積的漫反射蘊生微妙氛圍,拓寬人們向外凝望、或向內探索的視線互動領域,在社交維度上呼應“藝術生活化、生活藝術化”的哲學。The?light?shadow?on?the?ceiling?and?wall?demonstrates?a?sense?of?order,?calm?and?serenity,?expanding 3、
;the?visual?experience?and?social?interaction?of?the?guests,?catering?to?the?philosophy?of?“Lifelike?Art,?Artistic?Life”. 漿果設計營造的商業空間,在回報邏輯與市場趨勢之內,在創意公式與美學定律之外,點破固有印象、重塑場景互動、駛向商業目標。Flow?Bar?&?Lab?聯結的兩個世界,是都市內的熱鬧、個性,也是都市外的隱逸、靜謐,而有趣是開啟這兩個世界的秘密鑰匙,在無數的故事共鳴與精神融合中,抵 家具的實用功能主要包括舒適、便利、安全等幾個方面。從功效的角度而言,“胡床”是最早滿足這幾方面要求的。其他可以支持垂足坐的家具類型則必須分為兩類情況:一類是專門的“坐”家6、
具,如杌、凳、墩、椅;一類是“坐臥”家具,就是床榻。達遠超想象的多元境界。The?commercial?茶館ces?created?by?Jingle?Design?follow?the?commercial?logic?and?market?trend?while?beyond?the?7、
limitation?of?creation?and?art,?breaking?the?stereotype,?reshaping?the?landscape 4、
;and?driving?to?commercial?goal.?The?bar?connects?the?liveliness?and?personality?of?urban?city?with?the?calm?and?silence?beyond?the?city.?In?addition,?the?two?realms?reach?diversified?world?in?the?spiritual?echo?and?combination.項目?NAME|Flow Bar & Lab地址?LOCATION|中國·沈陽面積?AREA|180㎡時間?DATE|2021年8月設計?FIRM|Jingle?Design?漿果設計研究所團隊?TEAM|周博、蔡雨洋、馬迪、曾凡龍、劉中男、趙亮攝影?PHOTOGRAHPY|圖派視覺 5、
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